Faces of Medieval Rome

Visitors to St. Peter’s Basilica in Rome often don’t realize that the magnificent baroque church is built over the site of a still more ancient basilica, built by Constantine and then torn down completely by Pope Julius II during the Renaissance. Over the course of the next century, today’s basilica was rebuilt by the likes of Bramante, Giulio da Sangallo, Raphael, Michelangelo, Carlo Maderno, and Bernini.

Surprisingly little of the original church remains, so I was fascinated this week to see a few of the mosaics saved from the first basilica at a special exhibition on medieval Rome at the Museo di Roma. The exhibition displayed work from the other four major basilicas, each of which has a unique history. The complex around St. John Lateran, another Constantinian construction, has changed greatly over the centuries and the interior of the church was redone by Francesco Borromini in the 17th century, though the shape of the basilica remains basically the same. St. Mary Major preserves the magnificent mosaics from its Roman days, but St. Paul Outside the Walls was entirely rebuilt after a fire burnt it down in the early 1800s.

Here are a few pictures form the papal basilicas’ medieval past.

St. Jägermeister?

Sant’Eustachio, Rome

With more than 900 churches, as I’ve noted before, if you’re looking for church-related curiosities, there’s no place like Rome. A friend recently pointed out an oddity that seemed to take the cake. Atop a church between the Pantheon and Piazza Navona is what seems to be a stag with a cross between its antlers, which looks suspiciously like it was taken straight from… a Jägermeister bottle.

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The churches of Trastevere

There are a lot of churches in Rome. I’ve heard 900-something, but I’m not really sure. There are eight or nine chapels in the building I live in, but I might be forgetting some. Needless to say, it seems a little too late for a master plan to ensure efficiency.

Santa Maria in Trastevere

The closest Rome ever came to an efficient program of church construction was probably right at the beginning, with the tituli, which were really just the houses of prominent Christians where the faithful gathered to worship, sometimes in secret. Titulus refers to the name of the owner, usually written on a plaque by the door. These centers weren’t laid out in any logical plan, but depended on whoever had a big enough living room (well, courtyard) to accommodate the whole proto-parish. When Christianity came out into the open after the Edict of Milan, the city’s faithful erected church buildings on the site of the tituli, which often enough coincided with sites of martyrdom. A few of the station churches are also built on the site of an old diaconia, basically an early Christian charitable distribution center.

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