Spain – Tony Lusvardi, S.J.

St. George in legend and in architecture

April 23 is the feast day of St. George, a saint whose popularity — as well as just about everything we know about him — is legendary. The saint hailed from the Christian east — possibly from Cappadocia in present-day Turkey — but seems to have been martyred in the late third century in what is today Israel. George was a soldier who converted to Christianity. He was put to death after refusing to sacrifice to Rome’s pagan gods and undergoing excruciating tortures.

This defiant courage when standing up to a more powerful foe is perhaps what has made the figure of St. George resonate with so many throughout history. Perhaps it also contributed to the legendary stories of St. George slaying a dragon who was oppressing a Christian population. The saint is particularly popular among Arab Christians, who have long lived under the yoke of Muslim rule, and across the eastern Mediterranean — in Greece and Malta, for example, communities menaced for centuries by invasion from various Islamic empires pushing westward.

St. George, in fact, has found popularity wherever an underdog has felt the need for a champion. He is the patron, along with St. Sebastian, of one of Rome’s station churches. This year when I traveled to Barcelona (which I mentioned here and here), I learned that George is the patron of that city as well. The legend of St. George fits, in an unexpected way, into one of the city’s best known architectural monuments, Antoni Gaudí’s Casa Batlló.

Easter images from the Sagrada Familia

Christ is risen! Happy Easter!

Last week I shared some photos from the stark Passion Facade of Antoni Gaudí’s Sagrada Familia in Barcelona. Not all is doom and gloom at the Basilica, of course, and, in fact, visiting the church is a amazingly uplifting experience.

The Glory Facade remains to be built, so we still can only imagine what is planned to be the most beautiful part of the whole project. But enough parts of the Basilica already suggest the victory of the Resurrection. High above the scenes of the Passion, in fact, one can see the women visiting the now empty tomb and, above that, a bronze figure of Christ ascending.

The Passion Facade of the Sagrada Família

Recently, I was fortunate to be able to take a brief trip to Barcelona for a research project (more on that to come). I spent as much time as I could at Antoni Gaudí’s marvel, La Sagrada Família (more on that, as well).

The entire basilica is a marvel, a deeply spiritual and prophetic building. This Holy Week, I thought it would be appropriate to share some photos of the Façana de la Passió, the Passion Facade. The sculptures broadly follow Gaudí’s instructions, though they are the work of Josep Maria Subirachs. If anything, the sculptures are even more harsh and austere than Gaudí’s original sketches. The hardness of the work is actually in keeping with Gaudí’s instructions.