One of the highlights of my recent travels through Asia was visiting a number of quite impressive Buddhist temples and shrines. This was particularly the case in Thailand, though Chinese temples in Singapore, Taiwan, and Hong Kong were also filled with rich carvings, colorful statues, and piles of offerings including fruit, flowers, and burning incense. The warm red–the color of prosperity–of the Chinese temples reminded me of the red color with which the ancient Romans frescoed the inside of their homes. The desire for a warm hearth is written deeply in the human psyche.
A place of worship that makes an absorbing appeal to the senses is of course nothing new to me. I live in Rome, city of the baroque, where tales of religious ecstasy are told and retold in marble, mosaic, and fresco. The impulse of Christianity to express itself in art goes back to the Incarnation itself, to God revealing himself by entering into the world of the flesh, expressing his divinity in the matter of creation. We Catholics believe that he continues to communicate his grace to us through the sacraments. Artistic expressions using color, smell, and sound to amplify this divine work come naturally enough to a sacramental faith.
But what about Buddhism? Such expressions would seem to me, an outsider, to fit less naturally within Buddhist philosophy, with its distrust of all desire and negation of the world of pleasure and pain. Incarnation and Nirvana are two radically different beliefs. Yet how else to describe the gilded wats of Thailand, the cascades of angels and demons in glittering ceramic, than Buddhist baroque?
Of course, Thailand’s wats are not the architectural expression of pure Buddhist philosophy but a kind of non-culinary Asian fusion–Buddhism grafted into a still older mix of traditional folk beliefs, legends, and superstitions. How cogent such a mix is, I can’t evaluate. But there’s something human about that folk mix that I find more compelling than Buddhism in its purity, which I’ve always thought a little chilly.
Continue reading “Gargoyles, east and west”
Tony Lusvardi, S.J. 