Feast of the Chair of Peter

To celebrate today’s feast, I walked over to St. Peter’s Basilica this morning, especially keen to see the church decorated for the day–the candles lit on Bernini’s spectacular sculpture of the Cathedra Petri and the first pope’s statue decked out in his party regalia.

Cathedra Petri, Bernini

In the past I’ve always had class or other obligations or there were too many tourists or the world was closed for pandemic, so I’d never visited the basilica on this feast. Today, like Goldilocks but without the hair, I found everything just right. Just a smattering of visitors early in the morning, and as a bonus I was able to get to the altar of St. Leo the Great, which is in a part of the church that is sometimes blocked off. Leo is a favorite of mine because of his lapidary teaching that what was visible in Jesus when he walked the earth has passed over into the sacraments (Sermon 74).

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Washington’s Birthday

I paid a visit to chilly Mount Rushmore on my last trip to South Dakota and was stuck by the way the sunlight hit Washington’s face, casting it half in light and half in shadow. It occurred me how little I knew of our first president, whose birthday–with characteristic American efficiency–we combine with Lincoln’s to produce a three-day weekend.

Mount Rushmore

To remedy my lack of knowledge–and perhaps because Americana takes on added interest when you live abroad–I read a biography of our first president.1 And it stuck me just how fortunate those thirteen colonies were to have a man like George Washington as their leader.

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Like a bush in a lava waste…

Craters of the Moon National Monument

Today’s first reading from Jeremiah brought to mind the surreal landscape of Craters of the Moon National Monument in central Idaho, which I visited on a long road trip through the American West several years ago.  It’s a surreal landscape of lava flows, ash, and shards of rock so sharp they’ll slice through your shoes if you wander off the trail.  

Jeremiah’s image of a “barren bush [that] stands in a lava waste” to describe those who trust in men and not in the Lord brought Craters of the Moon to mind.  I remember rounding a cinder cone, descending onto a river of hard rock, and thinking I’d wandered into Mordor.

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The Conversion of St. Paul

The Conversion of St. Paul, Michelangelo Merisi da Caravaggio (1571-1610)

It looks like a picture of a horse’s… well, of the back part of a horse. Caravaggio’s painting of the conversion of St. Paul in the church of Santa Maria del Popolo in Rome puts the story’s equine character front and center. What gives? The practical joke of a roguish artist?

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