Recently, I was fortunate to be able to take a brief trip to Barcelona for a research project (more on that to come). I spent as much time as I could at Antoni Gaudí’s marvel, La Sagrada Família (more on that, as well).
The entire basilica is a marvel, a deeply spiritual and prophetic building. This Holy Week, I thought it would be appropriate to share some photos of the Façana de la Passió, the Passion Facade. The sculptures broadly follow Gaudí’s instructions, though they are the work of Josep Maria Subirachs. If anything, the sculptures are even more harsh and austere than Gaudí’s original sketches. The hardness of the work is actually in keeping with Gaudí’s instructions.
A couple of weeks ago I visited the Art Gallery of Western Australia, not very far from here, and I was moved by an exhibition of works by young artists, Year 12 Visual Arts graduates, from here in WA. In addition to the talent of these young people, I was moved—even disturbed—by the pain that I saw expressed in their work. Not youthful idealism, but pain.
Western Australia Pulse 2023 Exhibition, Perth
The pain that I saw expressed so honestly in art was not from material deprivation. These young artists enjoyed all the advantages and opportunities of a state-of-the-art education system. No generation has ever had the material advantages we enjoy today in the West. Yet as I have traveled in America, in Australia, in Europe I have felt what I think many people today perceive, an ache, an emptiness—sometimes a sense of rootlessness, sometimes a vague, unspecified guilt, often a lack of purpose and meaning. We claim to be free, yet fear of giving offense suffocates us. We are hyperconnected through media and gadgets, yet no generation has ever been so lonely. We boast of the diversity of our societies, yet we barely speak to those with whom we disagree. Something is wrong, something is missing—something at the root of the hurt expressed in those young artists’ work.
In the popular culture of the West, the spiritual void is inescapable. We have uncountable comforts. In fact, I don’t think that our most characteristic compulsion is to acquire more stuff. Instead, today, we are addicted to being entertained. But our entertainment does not lift the soul—it is not like the art of Michelangelo. It just keeps us occupied and keeps us paying. How could we, beings created in the image of God, find this satisfying?
Tony Lusvardi, S.J. 