A few weeks before Christmas in the year 1223, St. Francis told one of his brothers that he wished to celebrate the holiday in Greccio, a hamlet about halfway between Assisi and Rome. He added something more: that he wanted to see with his own eyes the baby born in Bethlehem and the crude stable where he lay.
The brother went on ahead and arranged everything as the saint had asked in a little grotto just outside the town, a scene now familiar to us–figures of Mary and Joseph, the shepherds, the ox and the ass. The sight drew men and women from around Greccio and delighted Francis, who served as a deacon at Mass that Christmas night. The tradition of the Christmas manger scene was born.
It’s a tradition that thrives all over the world, but especially in Italy. It’s also an example of what is known to theologians as “inculturation,” the way the Gospel enters into different cultures and finds ever-new expression in their traditions. The traditional Nativity scenes of Italy, especially Naples, often include dozens, even hundreds, of figures going about the tasks of daily life–shopkeepers, bakers, fruit vendors, beggars, musicians, servants, housewives, children, farmers, you name it. Dress and architecture in the scenes reflect the daily life of those who create them.
Continue reading “The Nativity scene at 800”
Tony Lusvardi, S.J. 