Radiant in the darkness: Caravaggio 2025

Caravaggio, Flagellation of Christ, 1607

Several weeks ago I spent a wonderful afternoon at a special exhibit of 24 paintings by Caravaggio brought together in Palazzo Barberini and dubbed Caravaggio 2025. The exhibition made me wonder at Caravaggio’s extraordinary popularity. Why is Caravaggio so popular today? And what does this tell us about where we are spiritually? I think the answer is not unrelated to the other recent events in Rome: the election of a missionary as Pope Leo XIV; our new Holy Father’s goal of steering the Church faithfully through the digital revolution, just as Leo XIII provided guidance during the industrial revolution; and this Jubilee year’s theme of hope.

I’ll have more on Pope Leo soon. For now, suffice it to say that the mood here in Rome is elated. In the meantime, you can read my thoughts on Caravaggio at The Catholic Thing.

Caravaggio, Supper at Emmaus, 1606

While you’re at it, check out some reflections from a few months back on the artist’s spectacular St. Matthew cycle and a different conversion of St. Paul. And there’s plenty of other great work at The Catholic Thing, including, if you missed it, an explanation of why I think my book on baptism of desire is so important at this time when renewing the Church’s missionary spirit is such a vital challenge: Getting Back into the Baptizing Business. The price on Amazon seems to have dropped a bit recently.

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Author: Anthony Lusvardi, SJ

Anthony R. Lusvardi, S.J., teaches sacramental theology at the Pontifical Gregorian University in Rome. He writes on a variety of theological, cultural, and literary topics.

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