Last year, Rome’s Palazzo Bonaparte hosted a special exhibition of the work of Vincent Van Gogh (1853-1890). It highlighted, among other things, the deep religiosity of this son of a Protestant minister. Van Gogh’s life was marked by inner turmoil, culminating in a horrendously painful suicide. The exhibition made me appreciate the ways in which faith, failure, sin, turmoil, and hope intersected in Van Gogh’s work. The artist’s tragic struggle gave his work its unique power.
One of the themes to which Van Gogh repeatedly returned was the parable of the sower. Something about the the way the parable combines both failure and fecundity with the life cycle of the seed–being buried in order to give life–seemed to fascinate Van Gogh.
Continue reading “Van Gogh and the Sower”
Tony Lusvardi, S.J. 