September 2024 – Tony Lusvardi, S.J.

Summer roundup

As you could probably tell from last week’s post, I’m back in Rome getting ready for the start of the new academic year next month. It was a full and eventful summer more than a restful one. It started out with my first trip to the Philippines for a meeting of the Jungmann Society, the international association of Jesuit liturgists, where I gave a talk on daily Mass in Jesuit communities. It was encouraging to meet many young Jesuits interested in the liturgy, especially those from Asia. Some new initiatives are coming out of the meeting as well. The initiative I am most excited about is an eight-day retreat for Jesuits I am preparing for next summer: “Praying the Liturgy,” which will be offered June 29 – July 7, 2025 at the Jesuit Retreat Center in Parma, OH. It is open to all Jesuits.

I also spent some quality time at St. Isaac Jogues in Rapid City and back at home in Minnesota, connecting with friends. For the first time, I led a retreat at the gorgeous new retreat center Cloisters on the Platte outside of Omaha, and attended a really excellent conference in Mundelein, IL on the divergent theologies of Karl Rahner and Joseph Ratzinger organized by Prof. Matthew Levering and the Greg’s own Fr. Aaron Pidel, SJ. Some theological all-stars there. A book will be coming out at a later date with papers from the conference, including my own contribution on the two theologians and the liturgy, arguing that Ratzinger continues the project of the Liturgical Movement while Rahner’s attitude toward the liturgy is an extension of pre-Vatican II scholasticism.

I’m also happy to have had a handful of new publications over the summer, including a pair of articles in America. One is about the sin of presumption, scientism, and Michael Jordan’s shoes, the other a broader perspective on the ‘Last Supper’ controversy at the Paris Olympics. Check ’em out if you haven’t already.

Also, if you didn’t get a chance, you might enjoy my article “Getting Back in the Baptizing Business” in The Catholic Thing which explains why I think my book on baptism of desire is important.

And speaking of Baptism of Desire and Christian Salvation, I was pleased to be able to bring my summer to a close by giving several talks on the book in Sweden. I had an enjoyable discussion with the participants of the Hörge seminariet at the Newman Institute in Uppsala and was deeply encouraged by the large and energetic group of young adults at Sankta Eugenia in Stockholm. It is great to see the book both resonating with people and provoking discussion.

More on Baptism of Desire and Christian Salvation will be coming soon, including an official “book launch” here in Rome…

St. Matthew according to Caravaggio: a spiritual masterpiece

The Inspiration of St. Matthew, Caravaggio

One of the most remarkable places in this remarkable city of art is the Contarelli Chapel in the Church of San Luigi dei Francesi, home to the St. Matthew trilogy of Michelangelo Merisi da Caravaggio. Three paintings–The Conversion, The Inspiration, and The Martyrdom of St. Matthew–tell the story of the life of the saint, from his improbable calling to his death. The paintings are full of artistic drama, reflecting the artist’s own spiritual struggles and his attempt to find his place among Italy’s artistic greats.

Contarelli Chapel, San Luigi dei Francesi, Rome

The paintings date from early in Caravaggio’s career (1599-1600), when he was at the apex of his success in Rome. Only a few years after painting the St. Matthew trilogy, however, Caravaggio’s artistic career was sabotaged by his own unruly passions–he was forced to flee Rome after murdering a man in a brawl. As I’ve argued before, the fact that Caravaggio sinned so spectacularly does not negate a deep thirst for God or his spiritual and sacramental sense. In fact, as so often happens, awareness of his sin may have heightened the need the artist felt for redemption. In one of his later works, which he painted while in exile for his crime, David holds the head of Goliath–who bears Caravaggio’s own anguished face.

David with the Head of Goliath, Caravaggio, Borghese Gallery, Rome

Conversion also drives the “plot” of Caravaggio’s St. Matthew cycle. The first of the paintings, The Call of Matthew, depicts the moment when Jesus walks into Matthew’s customs post where the tax collector sits among cronies, coins spread over the table in front of him. Light shines in from a window just over the Lord’s head and hits Matthew straight on as Jesus raises his hand and points an unrelenting finger, as if to say, “You.” The tax collector’s own finger rises to his chest and his eyes widen, as if to respond, “Who? Me?” Or perhaps he is trying to distract the Lord’s gaze by pointing to the ne’er-do-well next to him, whose eyes are still fixed on the coins. In either case, the painting captures all the passion and confusion of the call to conversion–the unrelenting gaze of God, the instinctual avoidance and doubt of the sinner who is called. Does Matthew think himself unworthy? Shy away from relinquishing the wealth he knows? Hesitate when truth itself dissolves the shadows of ambiguity he has woven around himself? Probably, all of the above.

Faithfully unfashionable: homily for the twenty-third Sunday in Ordinary Time

Homily for the 23rd Sunday of Ordinary Time (B)

Prophet Isaiah, Raphael (1511-2), Church of Sant’Agostino Rome

A mile or so from where I live in Rome is a street called Via dei Condotti; there you can find the stores of Armani, Tiffany’s, Gucci—the highest high-end designers. Sometimes I like to amuse myself by looking in the windows at the prices—a thousand dollars for a sweater, twelve hundred dollars for a necktie, twenty thousand dollars for a watch. Of course, many of the stores don’t list prices because if you have to ask, you can’t afford it. I’ve never gone inside any of these stores because they are usually guarded by a man with a shaved head, six inches taller than I am, with a black suit and a mouth that never smiles. In fact, I think they’ve had the facial muscles that allow you to smile surgically removed.

The owners of these stores would not be happy to read today’s Letter of St. James. James says: don’t favor a person with gold rings over a person in shabby clothes. Of course, sometimes shabby clothes are fashionable and expensive; having torn jeans means that you’re one of the cool kids. What’s in fashion always changes because it’s not based on anything real. A thousand dollar sweater won’t keep you any warmer than a thirty dollar sweater; a twenty thousand dollar Rollex tells the same time as my twenty dollar Timex. Fashions based on wealth, prestige, and the most up-to-date style are like the leaves that you see on the trees this September day; next month they’ll be a different color; a month after that, they’ll be gone.

Even though fashion and prestige aren’t based on anything true and lasting, they can be used to hurt people in some very real ways. I think of how hard it is for someone not to be one of the “cool kids” in middle school or high school. Adults are sometimes just as bad; I can remember from my time here on the reservation that sometimes people are looked down on for being “too Native”; other times they may be looked down on for “not being Native enough.” In either case, sometimes people can be treated quite unfairly.