July 2024 – Tony Lusvardi, S.J.

Leftovers transformed: homily for the seventeenth Sunday in Ordinary Time

Homily for the 17th Sunday in Ordinary Time (B)

Miracle of the Loaves from the Triptych of the Miracles of Christ, Master of the Legend of St. Catherine, Flanders 1491-5, National Gallery of Victoria, Melbourne

Today’s readings give a prominent place to leftovers. In the hands of the prophet Elisha, twenty barley loaves manage to fill a hundred people, with some left over. When Jesus feeds the five thousand, the leftovers—twelve baskets—exceed the amount of bread there was to begin with—just five loaves.

It’s worth noting that the disciples go to the trouble of collecting the leftovers after the impromptu meal. Living in an age of abundance, perhaps we are used to throwing leftovers out or letting them molder in the back of the fridge, but letting leftovers go to waste is a luxury most people in history didn’t have. Certain recipes popular today were originally invented to use stale bread—bread pudding, for example, or the Tuscan bread soup known as ribollita. The funny thing about ribollita is that what started out as a peasant dish today is served in pricey and fashionable restaurants. What was once leftovers has become high cuisine.

There’s something deeply Christian in this transformation. Ours is a faith, after all, in which the stone rejected by the builders becomes the cornerstone, the last become first, the meek inherit the earth, the poor are filled with good things while the rich go away empty, the blood of martyrs becomes the seed of faith, and in dying we are born to eternal life. We believe not just that leftover bread can be transformed into a savory dish, but that utterly ordinary bread and wine are, in the sacrament of the Eucharist, transformed into the body and blood of Jesus. Moreover, if we approach the sacrament in faith, we too are transformed into the body of Christ; our weak and too often sinful flesh becomes the dwelling place of the Holy Spirit.

I have a friend, a Filipino Jesuit who comes from a family of restauranteurs and is an amazing chef. He has a particular genius for being able to walk into any kitchen, open the refrigerator, glance over whatever leftovers are inside, spend half an hour spicing and mixing and reheating, and produce a feast that was better than the original meal. Our Christian faith is something like this. At its heart is belief in the possibility of transformation.

IHSes and resigning popes

Last month the Gregorian Jesuits took our spring community outing to L’Aquila, capital of the Abruzzo region. L’Aquila was most recently in the news for a 2009 earthquake that tragically killed over 300 people. Most buildings in the city have been restored, though construction still abounds.

Highlights of the trip were two churches. The first, the Basilica of St. Bernardino of Siena, is dedicated to the Franciscan preacher (1380-1444) with a great devotion to the name of Jesus. In fact, in images of St. Bernardino one frequently sees the IHS Christogram–using the Greek letters for the name of Jesus. The “IHS” was later taken up, of course, by the Society of Jesus. The IHS sunburst with the three nails of Christ’s passion is prominently displayed all over the Basilica of San Bernardino. The saint died in L’Aquila and is buried in the basilica.

L’Aquila’s other iconic church is Santa Maria di Collemaggio, burial place of Pope Celestine V (1215-1296). It is known as the Church of Pardon because of the plenary indulgence Celestine attached to the church–what locals refer to as an annual Jubilee. Celestine’s papacy, however, could hardly be considered a success, and he resigned after only a few months in office. He was a holy hermit, perhaps never really cut out to be pope.

Cagliari cathedral

A few weeks ago, I mentioned the time I spent in Maracalagonis, Sardinia during Holy Week this year. I thought I’d follow up with a few pictures of Cagliari’s Cathedral, certainly one of the city’s highlights. The building is well kept up and contains a number of artistic gems. Among these are the two sides of what was once a single pulpit, which now flank the main door. These were sculpted by Guglielmo of Pisa around 1160 and later sent to Cagliari when the city was ruled by that merchant city-state.